On a slightly long-haul flight last night, I found myself watching Superboys of Malegaon - the film came recommended from interviews of many stalwarts such as Javed Akhtar, Farah Khan, and Siddhant Chaturvedi, reviewers like Anupama Chopra, media personalities like Saurabh Dwivedi, and endorsed by many guests on his show. So it had been on my watchlist for some time now - the long haul flight gave me a chance to clear up my list [ I also started watching an old Hollywood classic Fargo, which has been on my watchlist for years now! Will probably finish the remaining 40 minutes later tonight. ] What was more of a clear-my-watchlist exercise ended up staying with me long after the screen went dark. The film refused to leave my mind, even though I had started watching another right after. Superboys of Malegaon is an easy film to like - rustic, warm, humorous, and deeply human - but where its stands out is on balancing emotion and inspiration without tipping into sentimentality. ...
I was watching the India-Australia ODI the other day when something curious caught my attention. The stadium façade - its arches, the rhythm of its windows, the quiet dignity of its design - looked oddly Victorian. This was the Sydney Cricket Ground , which upon research I discovered was built in 1851, so aptly had a Victorian architecture . What was remarkable that while the stadium would have been upgraded and fitted with modern amenities and technology, its architecture was never tampered with, rather maintained to the original Victorian designs. That afternoon, I stepped into a branch of the State Bank of India after several years. Driving towards the branch I prepared myself for an experience I probably last had 30 years back in the 1990s - that soft, sepia-tinted decade with the pace of everything - slower. But as I stepped in the branch, the air felt far different. The air-conditioning hummed gently, queues were orderly, and staff went about their work with quie...