Random Thoughts on the sojourn of life …

Just finished watching "The Terminal" on Star Movies (that confirms I am not in Mumbai and am in some hotel where I get TV J). Steven Spielberg, Tam Hanks, Catherine Zeta Jones - the best combination of direction, performance and beauty - along with a very unique, interesting and classic story make the movie worth more than one watch. This was my second time.

I could better identify with the movie this time, as I have been in the transitory mode for the past 3 weeks now, just like the major characters in this movie. For the uninitiated, I left Mumbai on the April 3 for Chennai; returned to Mumbai at 12:30 AM on April, 13 and left for Pune (on a personal trip), before the sun rose on April 14. If I include the amount of time spent in a car into my travel time, then between April 13 and April 17, I spent more time traveling than what I spent sleeping on a bed! This includes time spent coming back to Mumbai on the night of April 16 and leaving for Bangalore by the 6.30 flight next morning.

So what's the schedule for the next few days? Travel schedule is slightly lax, however I will cover 3 Companies by end of next week in the silicon city of India.

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Ekla Chalo re

Watched "Bose- The forgotten Hero" on Saturday. Gem of a movie and probably the best of Shyam Benegal. Subhash Chandra Bose has always been an inspiring character in the history for the youth. This post however is not about the movie, its about the lead song 'Tanha Rahee' which is based on the poem 'Ekla Chalo Re' by Gurudev Rabindranath Tagore. I had pasted the English translation of this poem on my blog earlier. http://the-complete-man.blogspot.com/2004/12/tsunami-times_30.html However, yesterday I found the original bengali text of the poem and found that the meaning in the above translation was not exact. So I have endeavourer (with the help of Shubham ) to re-translate it into English and Hindi by myself. Here is the output of my work: Bengali Jodi Tor Dak Soone Keu Na Asse Tobe Ekla Chalo re Ekla Chalo Ekla Chalo Ekla Chalore Jodi Keu Katha Na Kai Ore Ore O Abhaga Jodi Sabai Thake Mukh Firae Sabai Kare Bhay Tabe Paran Khule O Tui Mukh Fute Tor Maner Kath...

A lakh! A Crore! ... then why not an Arab?

India is a true melting pot - and the language we speak are true representations of the same. In any given location, the way people speak (the dialect, the accent and vocabulary inclusive) is a wonderful mix of local, regional, national and even a bit of international influences. To take some examples: Bangalore lingo: "Enjoy Madi!" Mumbai lingo: "Its all over Akhha Mumbai yaar" Some International sprinkled in: "Dude! Hows life yaar?" All in all - India has been pretty successful in integrating its regional disparities with nationally pervasive trends and a bit of International lingo as well (thanks to its diaspora). The same has happened in terms of the numeral terminologies that we use. In India - even with the English media, we use terms like a 'lakh' (= hundred thousand) or a 'crore' (= ten million). But what is surprising is that beyond these, the media usually follows the international numeric term - billion. This is in spite of th...

Vikramaditya - Myth or Reality

A statue of Vikramaditya at Vikramaditya ka Tila / Vikramaditya's Singhasan Battisi On a recent visit to Ujjain, I found myself drawn to the city's extraordinary blend of history, mythology, and spirituality. As I stood before the Mahakaleshwar Jyotirlinga, I reflected on its significance as one of India’s most revered shrines. Yet, amidst these sacred surroundings, I encountered narratives of Vikramaditya - the legendary king of Ujjain, celebrated for his valor and wisdom, who's name resonates from the folklore of locals to every part of India. Every time we celebrate a festival in India, it is marked with a tithi i.e. date as per the Indian calendar - which is called the Vikram Samvat calendar, attributed to being founded by Vikramaditya of Ujjaini (the then name of Ujjain). What struck me, however, was the curious fact that despite Vikramaditya’s pivotal place in Indian cultural memory, his existence as a historical figure lacks definitive evidence. My exploration l...

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